Ed
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Eric Lahmène
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艾玛在夜深人静的时候被带走了,浑身是瘀伤,意外怀孕了。在妇女庇护所找到了一个新家,她重新发现了自己失去的一面。在住在避难所的妇女和儿童中,个人创伤交织在一起。尽管他们有分歧,但一种微妙的姐妹情谊出现了。“一部关于女性为自尊和独立而战的电影,面对一个剥夺她们发言权的世界。这部电影将观众带到了一个女性避难所的墙壁后面,向他们展示了一个令人惊讶的充满活力的世界,那里的生活正在重建。如果有痛苦,也有力量、快乐和希望。角色和他们的故事植根于真实的经历和情感,由演员和非演员共同扮演。情感诚实至关重要”。导演的笔记。
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Edgar Nito
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传说很久以前,大自然在湖边和谐共生,直到邪恶降临。被黑暗欲望蒙蔽的人带来了恐惧、仇恨和死亡。渔民们称之为La Miringua,就是因为你的罪恶而把你拖到湖里的那个。
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Jared Cohn,Bella Bahar Danesh
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Fifteen-year-old Darya flees Iran for Los Angeles, seeking safety. She marries the charming Sam Lebon, only to discover his dark obsession. As his control turns violent, she makes a desperate escape-but knows he'll never stop hunting her.
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Prince Patel
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Amazon appears to be moving forward with additional seasons of Beast Games. Deadline understands that the streamer is casting for Season 2 and, though there hasn’t been an official renewal announcement, we hear there’s talk of a two-season order for the MrBeast-fronted series. Head of Prime Video and Amazon MGM Studios Mike Hopkins seemed to confirm that Wednesday during a panel at the Milken Institute Global Conference in Los Angeles.
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최효진
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《夜叉的世界》是在NO RULE NO MERCY的所谓地下战场极限环境下,只靠说唱对决产生最后三人重获名额登上《Show Me The Money 12》舞台的嘻哈生存比赛。再加上Chin-CK-Louie / Loopy / kaogaii / REDDY / APRO / YUNGIN / Hangzoo / Ian Ka$h / Rad Museum等担任裁判作为大师军团活跃各处,观评说唱歌手对决,进一步提升选秀的紧张感。
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Muangthai Sarupkarn,Prang Sasinan Pattana,Nat Thachai Komolphet,Dome Jarupat Kannula,PingPong Suwanun Pohgudsai,Baitoey Thanaporn Petcharat
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这部选集讲述了七个故事,讲述了人们使用超自然力量来达到他们的目标。
This anthology tells seven stories of people who use supernatural forces to meet their goals.
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Keith Boynton
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The Haunted Forest stars Grayson Gwaze as Zach, a high school senior who lands his first job was a scare actor at Markoff's Haunted Forest. He makes friends with the band of misfits who operate the Halloween attraction, but after one of them dies tragically on the grounds he begins to question his fascination with death and the macabre.
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雨果·德·索萨,Bia Coelho,Flávia Lacerda
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Por conta dos vários atrasos nas gravações do remake de "Dona Beja", da Max, o contrato do diretor da novela, Hugo de Sousa, chegou ao fim antes do início da pós-produção. Para fazer essa tarefa, que inclui edição e montagem, a produtora Floresta decidiu assinar com a ex-diretora da Globo Flávia Lacerda.'Dona Beja': cena de Grazi Massafera nua em cima de cavalo dá trabalho à e...
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佐藤卓哉
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2050年。由于在父亲创立的制造公司·Rebuild社对“自律机械DZ”的开发做出了贡献, 因而年纪轻轻就赢得了名声的技术人员德里达·伊万(主人公)。 有一次,德里达与同僚内桑注意到了“DZ”的重大缺陷, 但上司却完全不听从忠告,对此感到恼火的他在知道危险的情况下仍然拖延应对, 并前去参加内桑的爱女·玛吉的生日派对。 但,在度过了一时平稳之后的第二天,德里达和内桑遭到神秘部队的袭击。 在出逃的最后,落入冷冻睡眠装置的德里达再次睁开眼时, 时间已经过了10年,放眼望去的世界早已荒废,陷入了战争状态! 就在遭到失控的“DZ”群的袭击,即将放弃一切的时候, 德里达回想起了内桑临终的话语。 “玛吉就拜托你了” 即使对降临到自己身上的命运感到困惑,但为了寻找玛吉,德里达仍然向前迈进。 重逢,超越了“时间”—— 这是,思念踏上旅途的故事。
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艾玛·贝内斯坦
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Az 在 Sète(法国南部)的一个牡蛎养殖场工作,他非常熟悉牡蛎,曾打开过成百上千个,一天,他决定藏一枚戒指在其中一只牡蛎中,向他的女友 Jess 求婚,但是对方没有答应。不过幸运的是,他的一群朋友已经准备好帮他重新振作起来。 Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
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莫·哈拉韦
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在索马里沙漠的一个偏远村庄,一个小男孩和爸爸、姑姑一同生活。父亲靠临时工作支撑家用,姑姑因为婚姻危机无奈躲到此处。他们朴素的心愿因为混乱不安的社会环境变得遥不可及,但家人之间仍充满温情瞬间。索马里裔奥地利导演莫·哈拉韦的长片首作通过一个临时家庭的境遇来展现动荡时局对个人生活的吞噬。导演温柔看待三位主人公,他以精致的构图和色彩,在有条不紊的节奏下,安静有力地铺陈越发紧迫的生存之战。本片是首部入围2024年戛纳电影节的索马里题材影片,并一举入围一种关注单元和导演首作金摄影机奖两大单元。
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























